Question.2867 - LISTENING JOURNAL ASSIGNMENT INSTRUCTIONSOVERVIEW Analyze 2 pieces of music using the Listening Journal Analysis Questions document (included in the Listening Journal Resources section of the assignment page) and music terminology learned in the Craig Wright textbook (MindTap) Chapters 1-3. INSTRUCTIONS ? For a guide/example, consult the Listening Journal Example document. ? Your analysis of each piece of music must be at least 100 words (i.e., each Listening Journal Assignment’s word count will be between 250-300 words total including source entry information for each musical piece). ? All source entries should conform to Turabian style. o Minimum of one (1) YouTube link per entry (i.e., minimum of two per LJ), in Turabian format—not just a URL or hyperlink. ? Acceptable sources: YouTube.com for song links. Research does not need to be done for this assignment. You will be writing your analysis regarding the elements of music (melody, harmony, texture, timbre, rhythm, form, and dynamics) that stand out to you in each piece you discuss. ? Submit each LJ as a Microsoft Word documentListening Journal Assignment: Songs of the Common Practice Period You will choose two different examples of songs/pieces of music similar to those analyzed in the Craig Wright textbook Chapters 4-23. Your two selected pieces for analysis should not be the same as those discussed or analyzed in the book. You can analyze a different piece by the same composer-just not the same one. For example, in Chapter 15, Beethoven’s Symphony No. 5 in C Minor, is discussed. If you enjoyed this piece, one acceptable entry for this LJ would be to find another example (not discussed in the book) of a symphony from a late Classical Era composer, then write a short analysis in the format described in the instructions. You only need to discuss a 5-minute portion of the musical selection you choose. Please designate the timestamp of the portion of the piece you choose to analyze. Listening Journal Assignment: Songs of the Twentieth Century and Beyond You will choose two different examples of songs/pieces of music similar to those analyzed in the Craig Wright textbook Chapters 24-34. Your two selected pieces for analysis should not be the same as those discussed or analyzed in the book. For example, Chapter 31 discusses rock and roll, soul, metal, and other popular music genres. If you would like to analyze music from any of these genres, choose any pieces that are not specifically discussed in the text to write an analysis of musical elements in the format described in the instructions.
Answer Below:
Listening xxxxxxxxxxxxxxxx Journal xxxxxxxxxx Songs xx the xxxxxx Practice xxxxxxxxxxx Source xxxxxx Wolfgang xxxxxxx Eine xxxxxx Nachtmusik xxxxxxxxxx performance xxxxx Directed xx Nadja xxxxxxxxxxxxxxxxxx October xxxxx www xxxxxxx com xxxxx v xxxx -nwN x nbsp xxxxx Genre xxx Musical xxxxxx nbsp xx is x classical xxxxxxxxxxx that xxxxxxx to xxx Classical xxxxxx of xxxxxxxxx of xxxxxxxxxxx Chamber xxxxx compositionAnalysisMelody xxx melody xx the xxxxx has xxxxxxxx and xxxxxxxxx themes xxxx elegant xxx graceful xxxxxxxx as xxxx as xxxxx phrases xxx motifsHarmony xxxx The xxxxxxx is xxxxxxxxxxxxx diatonic xxxx traditional xxxxxxxx progressions xxx functional xxxxxxxx along xxxx clear xxxxxxxx and xxxxxxxx resolutionsRhythm xxx rhythm xx lively xxx dance-like xxxx a xxxxxxx pulse xxx often xxxxxxxxxxxx rhythmic xxxxxxxxxxxxxxx The xxxxxxx is xxxxxxxxx homophonic xxxx a xxxxx difference xxxxxxx the xxxxxx and xxxxxxxxxxxxxxxxxxx It xxx a xxxxxx range xx timbres xxxx the xxxxxxxxx instruments xxxxxx the xxxxxxx ensemble xxxxx includes xxx warm xxxxx of xxxxxxx violins xxxxxx cellos xxxxxx basses xx well xx infrequent xxxx passages xxxx emphasize xxxxxxxx instrumentsForm xxxx The xxxx is xx sonata-allegro xxxx with xxxxxxxx sections xxxx as xxxxxxxxxx development xxx recapitulationDynamics xxx dynamics xxxxx from xxxx to xxxx reflecting xxx expressive xxxxxxx inherent xx the xxxxxxxxxxxxxxxxx Source xxxx Johann xxxxxxxxx Brandenburg xxxxxxxx No xx G xxxxx orchestral xxxxxxxxxxx Directed xx Martin xxxxxxxx February xxxxx www xxxxxxx com xxxxx v x zvgpzmjzY xxxx Style xxxxx and xxxxxxx Period xx is x Baroque xxxxxxxxxxx that xxxxxxx to xxx Baroque xxxxxx of xxxxxxxxx of xxxxxxxxxxx It xx a xxxxxxxx grosso xxxxx is x type xx chamber xxxxx compositionAnalysisMelody xx has xxxxxxxxx and xxxxxxxxxxxx lines xxxxxxx of xxxxxxx music xxxxx are xxxxx highly xxxxxxxxxx and xxxxxxxxx showcasing xxx technical xxxxxxxxxxxx of xxx performersHarmony xxx harmony xx rich xxx contrapuntal xxxx complex xxxxxxxx progressions xxx chromaticism xx well xx clear xxxxxxxxxxx and xxxxxxxx sequences xxxxxxxxxx the xxxxxxxxxxx nbsp xx is xxxxxx and xxxxxxxxxx nature xxxx rhythmic xxxxxxxx such xx dotted xxxxxxx syncopations xxx intricate xxxxxxxxxxx adding xx the xxxxxxxxx feel xx the xxxxxxxxxxxx The xxxxxxx is xxxxxxxxxxxxx contrapuntal xxxx multiple xxxxxxxxxxx lines xxxxxxxxxxxx to xxxxxxx a xxxx and xxxxxxx sound xx utilizes xxxxx and xxxxxxxxx textures xxxx dissimilar xxxxxxxxxxxx groups xxxxxxxx in xxxxxxxx and xxxxxxxxxxxxxxx It xxx a xxxxxxx range xx timbres xxxx the xxxxxxxxx instruments xxxxxx the xxxxxxxx which xxxxxxxx the xxxx and xxxxxxxx tones xx strings xxxxxx viola xxxxx double xxxx as xxxx as xxx bright xxx colorful xxxxxx of xxx harpsichord xxxx often xxxxxx as xxx continuo xxxxxxxxxxxxxx It xxx typical xxxxxxxxx of x concerto xxxxxx consisting xx multiple xxxxxxxxx such xx allegro xxxxxx and xxxxxxx Each xxxxxxxx features xxxxxxxx thematic xxxxxxxx and xxxxxx organization xxxx the xxxxx movement xxxxxxxxx following x ritornello xxxxxxxxxxxx The xxxxxxxx vary xxxxxxxxxxx with xxxxxxxxx between xxxx and xxxx passages xxxxxx to xxx overall xxxxxxxxxx range xx the xxxxx It xxxxxxxx terraced xxxxxxxx where xxxxxx shifts xx volume xxxxxx dramatic xxxxxxx particularly xx the xxxxx and xxxx sections xxxx nbsp xxxxxxxxx Journal xxxxxxxxxx Songs xx the xxxxxxxxx Century xxx BeyondEntry xxxxxx The xxxxxxx A xxx in xxx Life xxxxx Directed xx Sir xxxxxx Martin xxx October xxxxx www xxxxxxx com xxxxx v xxxxxxxx GM xxxx Style xxxxx and xxxxxxx Period xx is xxxx style xx th xxxxxxxxxxx of xxxxxxxxxxx Rock xxxxxxxxxxxxxxxxxx The xxxx is xxxxxxxxx and xxxxxxx with xxxxxxxxx hooks xxx contrasting xxxxxxxxxxxxxxx It xx innovative xxx rich xxxxxxxx traditional xxx harmonies xxxx experimental xxxxxxxxxxxx The xxxxxx of xxx music xx dynamic xxx varied xxxx syncopation xxx tempo xxxxxxx adding xxxxxxxxxxxxxxx The xxxxxxx of xxx piece xx layered xxxx a xxx of xxxxxxxxxxx and xxxxx harmonies xxxxxxxx depthTimbre xxx timbre xx the xxxxx is xxxxxxx featuring xxxxxxx drums xxxxx and xxxxxxxxxxx vocal xxxxxxxxx This xxxx is xxxxxxxxxxxxxxx with xxxxxxxx sections xxxxxxx seamlessly xxxx one xxxxxxxxxxxxxxx This xxxx is xxxxxxxxxxxx from xxxx and xxxxxxxx to xxxxxxxx and xxxxxxx enhancing xxxxxxxxx impact xxxx Entry xxxxxx John xxxxxxxx Theme xxxx Jurassic xxxx orchestral xxxxxxxxxxx Performed xx The xxxxxx National xxxxxxxx Orchestra xxx https xxx youtube xxx watch x XqxOFP xxxx nbsp xxxxx Genre xxx Musical xxxxxx It xx a xxxx score xxxxx belonging xx late xx century xx contemporary xxxxxxxxxx of xxxxxxxxxxx Orchestral xxxxxxxxxxxxxxxxxxx This xxxxxxx piece xx sweeping xxx lyrical xxxx memorable xxxxxx that xxxxx a xxxxx of xxxxxx and xxxxxxxxxxxxxxxx The xxxxxxx of xxx music xx rich xxx lush xxxx expressive xxxxx progressions xxxx convey xxxx beauty xxx tensionRhythm xxx rhythm xx varied xxxx moments xx gentle xxxxxxx motion xxxxxxxxxx with xxxx driving xxxxxxx during xxxxxx sequencesTexture xxx texture xx orchestral xxxxxxxxx a xxx of xxxxxxx brass xxxxxxxxx and xxxxxxxxxx creating x full xxx immersive xxxxxxxxxxx The xxxxxx is xxxxxxxx and xxxxxxx with xxx orchestra xxxxxxxxxxxx a xxxx range xx instrumental xxxxxxx to xxxxxx different xxxxxxxx and xxxxxxxxx The xxxxx is xxxxx and xxxxxxxx with xxxxxxxxx motifs xxx sections xxxx build xxxx each xxxxx to xxxxxx a xxxxxxxx musical xxxxxxxxxxxxxxxxx Dynamic xxxxxxxxx ranging xxxx soft xxxxxxxx passages xx powerful xxxxxxxxx moments xxxxxxxxx the xxxxxxxx impact xx the xxxxx nbsp xxxxxxxxxxxxxx Johann xxxxxxxxx Brandenburg xxxxxxxx No xx G xxxxx orchestral xxxxxxxxxxx Directed xx Martin xxxxxxxx February xxxxx www xxxxxxx com xxxxx v x zvgpzmjzY xxxx John xxxxxxxx Theme xxxx Jurassic xxxx orchestral xxxxxxxxxxx Performed xx The xxxxxx National xxxxxxxx Orchestra xxx https xxx youtube xxx watch x XqxOFP xxxx nbsp xxxxxx Wolfgang xxxxxxx Eine xxxxxx Nachtmusik xxxxxxxxxx performance xxxxx Directed xx Nadja xxxxxxxxxxxxxxxxxx October xxxxx www xxxxxxx com xxxxx v xxxx -nwN xxxx Beatles x Day xx the xxxx audio xxxxxxxx by xxx George xxxxxx CBE xxxxxxx https xxx youtube xxx watch x usNsCeOV xx nbsp xxxx nbspMore Articles From Music
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