Question.2867 - LISTENING JOURNAL ASSIGNMENT INSTRUCTIONSOVERVIEW Analyze 2 pieces of music using the Listening Journal Analysis Questions document (included in the Listening Journal Resources section of the assignment page) and music terminology learned in the Craig Wright textbook (MindTap) Chapters 1-3. INSTRUCTIONS ? For a guide/example, consult the Listening Journal Example document. ? Your analysis of each piece of music must be at least 100 words (i.e., each Listening Journal Assignment’s word count will be between 250-300 words total including source entry information for each musical piece). ? All source entries should conform to Turabian style. o Minimum of one (1) YouTube link per entry (i.e., minimum of two per LJ), in Turabian format—not just a URL or hyperlink. ? Acceptable sources: YouTube.com for song links. Research does not need to be done for this assignment. You will be writing your analysis regarding the elements of music (melody, harmony, texture, timbre, rhythm, form, and dynamics) that stand out to you in each piece you discuss. ? Submit each LJ as a Microsoft Word documentListening Journal Assignment: Songs of the Common Practice Period You will choose two different examples of songs/pieces of music similar to those analyzed in the Craig Wright textbook Chapters 4-23. Your two selected pieces for analysis should not be the same as those discussed or analyzed in the book. You can analyze a different piece by the same composer-just not the same one. For example, in Chapter 15, Beethoven’s Symphony No. 5 in C Minor, is discussed. If you enjoyed this piece, one acceptable entry for this LJ would be to find another example (not discussed in the book) of a symphony from a late Classical Era composer, then write a short analysis in the format described in the instructions. You only need to discuss a 5-minute portion of the musical selection you choose. Please designate the timestamp of the portion of the piece you choose to analyze. Listening Journal Assignment: Songs of the Twentieth Century and Beyond You will choose two different examples of songs/pieces of music similar to those analyzed in the Craig Wright textbook Chapters 24-34. Your two selected pieces for analysis should not be the same as those discussed or analyzed in the book. For example, Chapter 31 discusses rock and roll, soul, metal, and other popular music genres. If you would like to analyze music from any of these genres, choose any pieces that are not specifically discussed in the text to write an analysis of musical elements in the format described in the instructions.
Answer Below:
Listening xxxxxxxxxxxxxxxx Journal xxxxxxxxxx Songs xx the xxxxxx Practice xxxxxxxxxxx Source xxxxxx Wolfgang xxxxxxx Eine xxxxxx Nachtmusik xxxxxxxxxx performance xxxxx Directed xx Nadja xxxxxxxxxxxxxxxxxx October xxxxx www xxxxxxx com xxxxx v xxxx -nwN x Style xxxxx and xxxxxxx Period xx is x classical xxxxxxxxxxx that xxxxxxx to xxx Classical xxxxxx of xxxxxxxxx of xxxxxxxxxxx Chamber xxxxx compositionAnalysisMelody xxx melody xx the xxxxx has xxxxxxxx and xxxxxxxxx themes xxxx elegant xxx graceful xxxxxxxx as xxxx as xxxxx phrases xxx motifsHarmony xxx harmony xx predominantly xxxxxxxx with xxxxxxxxxxx harmonic xxxxxxxxxxxx and xxxxxxxxxx tonality xxxxx with xxxxx cadences xxx harmonic xxxxxxxxxxxxxxxxx The xxxxxx is xxxxxx and xxxxxxxxxx with x regular xxxxx and xxxxx incorporates xxxxxxxx patternsTexture xxx texture xx primarily xxxxxxxxxx with x clear xxxxxxxxxx between xxx melody xxx accompanimentTimbre xx has x varied xxxxx of xxxxxxx from xxx different xxxxxxxxxxx within xxx chamber xxxxxxxx which xxxxxxxx the xxxx tones xx strings xxxxxxx violas xxxxxx double xxxxxx as xxxx as xxxxxxxxxx solo xxxxxxxx that xxxxxxxxx specific xxxxxxxxxxxxxxx The xxxx is xx sonata-allegro xxxx with xxxxxxxx sections xxxx as xxxxxxxxxx development xxx recapitulationDynamics xxx dynamics xxxxx from xxxx to xxxx reflecting xxx expressive xxxxxxx inherent xx the xxxxxxxxxxxxxxxxx Source xxxx Johann xxxxxxxxx Brandenburg xxxxxxxx No xx G xxxxx orchestral xxxxxxxxxxx Directed xx Martin xxxxxxxx February xxxxx www xxxxxxx com xxxxx v x zvgpzmjzY xxxxx Genre xxx Musical xxxxxx It xx a xxxxxxx composition xxxx belongs xx the xxxxxxx period xx musicType xx composition xx is x concerto xxxxxx which xx a xxxx of xxxxxxx music xxxxxxxxxxxxxxxxxxxxxxxxx It xxx intricate xxx contrapuntal xxxxx typical xx Baroque xxxxx which xxx often xxxxxx ornamented xxx virtuosic xxxxxxxxxx the xxxxxxxxx capabilities xx the xxxxxxxxxxxxxxxxx The xxxxxxx is xxxx and xxxxxxxxxxxx with xxxxxxx harmonic xxxxxxxxxxxx and xxxxxxxxxxxx as xxxx as xxxxx modulations xxx harmonic xxxxxxxxx throughout xxx pieceRhythm xx is xxxxxx and xxxxxxxxxx nature xxxx rhythmic xxxxxxxx such xx dotted xxxxxxx syncopations xxx intricate xxxxxxxxxxx adding xx the xxxxxxxxx feel xx the xxxxxxxxxxxx The xxxxxxx is xxxxxxxxxxxxx contrapuntal xxxx multiple xxxxxxxxxxx lines xxxxxxxxxxxx to xxxxxxx a xxxx and xxxxxxx sound xx utilizes xxxxx and xxxxxxxxx textures xxxx dissimilar xxxxxxxxxxxx groups xxxxxxxx in xxxxxxxx and xxxxxxxxxxxxxxx It xxx a xxxxxxx range xx timbres xxxx the xxxxxxxxx instruments xxxxxx the xxxxxxxx which xxxxxxxx the xxxx and xxxxxxxx tones xx strings xxxxxx viola xxxxx double xxxx as xxxx as xxx bright xxx colorful xxxxxx of xxx harpsichord xxxx often xxxxxx as xxx continuo xxxxxxxxxxxxxx It xxx typical xxxxxxxxx of x concerto xxxxxx consisting xx multiple xxxxxxxxx such xx allegro xxxxxx and xxxxxxx Each xxxxxxxx features xxxxxxxx thematic xxxxxxxx and xxxxxx organization xxxx the xxxxx movement xxxxxxxxx following x ritornello xxxxxxxxxxxx The xxxxxxxx vary xxxxxxxxxxx with xxxxxxxxx between xxxx and xxxx passages xxxxxx to xxx overall xxxxxxxxxx range xx the xxxxx It xxxxxxxx terraced xxxxxxxx where xxxxxx shifts xx volume xxxxxx dramatic xxxxxxx particularly xx the xxxxx and xxxx sections xxxxxxxxx Journal xxxxxxxxxx Songs xx the xxxxxxxxx Century xxx BeyondEntry xxxxxx The xxxxxxx A xxx in xxx Life xxxxx Directed xx Sir xxxxxx Martin xxx October xxxxx www xxxxxxx com xxxxx v xxxxxxxx GM xxxxx Genre xxx Musical xxxxxx It xx rock xxxxx in xx centuryType xx composition xxxx songAnalysisMelody xxx song xx evocative xxx melodic xxxx memorable xxxxx and xxxxxxxxxxx sectionsHarmony xx is xxxxxxxxxx and xxxx blending xxxxxxxxxxx pop xxxxxxxxx with xxxxxxxxxxxx chordsRhythm xxx rhythm xx the xxxxx is xxxxxxx and xxxxxx with xxxxxxxxxxx and xxxxx changes xxxxxx interestTexture xxx texture xx the xxxxx is xxxxxxx with x mix xx instruments xxx vocal xxxxxxxxx creating xxxxxxxxxxx The xxxxxx of xxx music xx diverse xxxxxxxxx guitars xxxxx piano xxx distinctive xxxxx tonesForm xxxx song xx non-traditional xxxx distinct xxxxxxxx flowing xxxxxxxxxx into xxx anotherDynamics xxxx song xx wide-ranging xxxx soft xxx intimate xx powerful xxx intense xxxxxxxxx emotional xxxxxx Entry xxxxxx John xxxxxxxx Theme xxxx Jurassic xxxx orchestral xxxxxxxxxxx Performed xx The xxxxxx National xxxxxxxx Orchestra xxx https xxx youtube xxx watch x XqxOFP xxxx Style xxxxx and xxxxxxx Period xx is x film xxxxx style xxxxxxxxx to xxxx th xxxxxxx to xxxxxxxxxxxx periodType xx composition xxxxxxxxxx pieceAnalysisMelody xxxx musical xxxxx is xxxxxxxx and xxxxxxx with xxxxxxxxx motifs xxxx evoke x sense xx wonder xxx adventureHarmony xxx harmony xx the xxxxx is xxxx and xxxx with xxxxxxxxxx chord xxxxxxxxxxxx that xxxxxx both xxxxxx and xxxxxxxxxxxxx The xxxxxx is xxxxxx with xxxxxxx of xxxxxx flowing xxxxxx contrasted xxxx more xxxxxxx rhythms xxxxxx action xxxxxxxxxxxxxxxx The xxxxxxx is xxxxxxxxxx featuring x mix xx strings xxxxx woodwinds xxx percussion xxxxxxxx a xxxx and xxxxxxxxx soundTimbre xxx timbre xx colorful xxx dynamic xxxx the xxxxxxxxx highlighting x wide xxxxx of xxxxxxxxxxxx timbres xx convey xxxxxxxxx emotions xxx moodsForm xxx piece xx tonal xxx thematic xxxx recurring xxxxxx and xxxxxxxx that xxxxx upon xxxx other xx create x cohesive xxxxxxx narrativeDynamics xxxxxxx contrasts xxxxxxx from xxxx delicate xxxxxxxx to xxxxxxxx climactic xxxxxxx enhancing xxx dramatic xxxxxx of xxx music xxxxxxxxxxxxxx Johann xxxxxxxxx Brandenburg xxxxxxxx No xx G xxxxx orchestral xxxxxxxxxxx Directed xx Martin xxxxxxxx February xxxxx www xxxxxxx com xxxxx v x zvgpzmjzY xxxx Williams xxxxx from xxxxxxxx Park xxxxxxxxxx performance xxxxxxxxx by xxx Danish xxxxxxxx Symphony xxxxxxxxx Dec xxxxx www xxxxxxx com xxxxx v xxxxxx aRIw xxxxxx Wolfgang xxxxxxx Eine xxxxxx Nachtmusik xxxxxxxxxx performance xxxxx Directed xx Nadja xxxxxxxxxxxxxxxxxx October xxxxx www xxxxxxx com xxxxx v xxxx -nwN xxxx Beatles x Day xx the xxxx audio xxxxxxxx by xxx George xxxxxx CBE xxxxxxx https xxx youtube xxx watch x usNsCeOV xxMore Articles From Music