Question.1142 - Listening Journal 3 (Chapters 11-15) The Listening Journal is your account (as best you can) of EACH of the musical pieces covered in the slides. Not all information will be available for every single piece we listen to so do the best you can.It should be in the following form;Date-Journal Entry # Name of Ensemble- Names of musicians and instruments played- Song title- Song form- (such as AABA or a 12 bar blues etc.) Tempo- (How fast is the song? Slow, medium, fast etc.) Style- (Swing, bebop, hard bop, cool, etc.) Melody- (Is the melody angular, melodic, vertical, horizontal, does it use many notes, etc.) Piano techniques-(Is the piano player soloing? Comping? Playing boogie woogie? Stride, etc.) Bass techniques- (Walking? Soloing? Both?) Drum techniques- (Playing swing, straight 8ths, Bossa Nova, etc.) Improvisation- (Who solos when and how. Use timestamps when possible) Your personal thoughts -What you may have liked or disliked about the performance and why.
Answer Below:
Final xxxxxxxxx Journal xxxxxxxx to xxxxxxxxx Butts xxx Jos xxxxx University xxxx Section xxxxxxxxx Jeff xxxxx December xx Final xxxxxxxxx Journal xxxxxxxx to xxxxxxx The xxxxxxxxxx What xxx Art xxxxxxx mission x guess xxxx gospel xx terms xx spirituality xxx also xx bring xxxx rhythm xx blue xx what xxxxx did xx develop xxx thunderous xxxx style xxx band xxxx Fletcher xxxxxxxxx and xxxxx Eckstine xxx was xxx co-leader xx his xxxxx Horace xxxxxx pianist xxxxx Smith xxxx was xxx name xxxxx to xxx style xx jazz xxxx pioneered xxxx bop xxxx styles xx music xxx it xxxxxxx Swing xxxx an xxxxxx style xxxx made xxx crowd xxx the xxxxx it xxx often x blend xx gospel xxxx blues xxx rhythm xxxx as xxxx coast xxxx and xxxx pop xxx did xxxxxxxxx call xxx a xxxxx a xxxx university xxxxxxx he xxxxx player's xxxxx by xxxxxx a xxxxxx to xxxxx the xxxxxxx of xxxxx in xxxxx of xxxxxxx a xxxx Name xxx musicians xxx played xxxx the xxxxx Bobby xxxxxxx Benny xxxxxx Hank xxxxxx Lee xxxxxx etc xxxxx Rollins xxx does xx not xxxxxxx in xxxxxxxxxx Who xxxx his xxxxxxxxxx because xx believes xxxxxxx tend xx commercialize xxx purpose xx the xxxxx and xxx used xx people xx draw xxxx the xxxxxxx which xxxxxxx the xxxxxxx of xxx music xxx did xx kick xxx heroin xxxxx Abruptly xxxx NY xxx chose xx work xx a xxx labor xx get xxx drugs xxxx is xx impressive xxxxx his xxxxxxxxxxxxxxx skill xxxxx playing xxxxx in xxx middle xx the xxxx he xxxxx a xxxxxxxxx song xx between xxxxxx the xxxxxxxx a xxxxx Most xxxxxxxxx recording xxx did xx take xxxxxxxx periods xxx from xxxxxxxxxx live xx reassess xxxxxxx in xxxxx to xxxxxxx himself xx front xx the xxxxxx through xxxxxxxxx as xxx video xxxxx it xxxxxxxxxxx the xxxxxx mostly xxxx it xx a xxxxxx of xxxxxxxx development xxxxxxx John xxxxxxxx Which xxx band xxx he xxxx with xxxxxx famous xx playing xxxx Thelonious xxxx Dizzy xxxxxxxxx While xxxxxxx with xxxx he xxx a xxxxxxxxx awakening xxxx happened xxxxx this xxxxxx He xxxx up xxxxx and xxxxxxx the xxxxxxx religion xxxxx led xx his xxxxxxxx in xxxxxxx music xxx were xxx members xx his xxxxxx quartet xxxxx Tyner xxxxx Elvin xxxxx drums xxx Jimmy xxxxxxxx bass xxxx was xxx name xx his xxxxx that xxxxxxxx wide xxxxx play xx Favorite xxxxxx What xxxxxxx is xxx song xxxx Modal xxxx Coltrane xxxxxx the xx highest xxxx jazz xxxxxxxx Who xxx first xxxxx Davis xxxxx switched xx what xxxxxxxxxx for xxx recording xx My xxxxxxxx Things xxxxxxx Saxophone xxxxxxx Art xxxxxxxx of xxxxxxx video xxxx were xxxx cooperatives xxxx the xxxxx of xxx cooperatives xxxx were xxxxxx in xxxxxxx during xxxx time xxxxxx Why xxxx the xxxxxx Firstly xx control xxx music xxxxxxxx to xxxxxxx the xxxxxxxxxxxx and xxxxxxx for xxxxx from xxxxxxx cultures xxx race xxxx musical xxxxxxxx did xxx Art xxxxxxxx of xxxxxxx draw xxxx Drew xxxxxxxx references xxxx African-inspired xxxxxx wherein xxx performance xxxxxxxx costumes xxx makeup xxxx called xx the xxx Jazz xxx a xxxxx Black xxxxx The xxxxxxxxx video xxxx did xxxxxxx Coleman xxxxxx musically xxxxxxxx harmony xxx sequences xx chords xxxxxxxxx the xxxxxxxx contour xx order xx wanting xx free xxx calling xxx The xxxxxxxxx Who xxxx the xxxxxxx of xxx band xxx what xxx they xxxx Ornette xxxxxxx Don xxxxxx Trumpet xxxxx Higgins xxxxxxx Ed xxxxxxxxx and xxxxxxx Haden xxxx What xxx the xxxx of xxx controversial xxxxx he xxxxxxxx in xxxx Jazz x A xxxxxxxxxx Improvisation xx The xxxxxxx Coleman xxxxxx Quartet xxxx city xxx considered xxx center xx the xxxx world xx New xxxx What xxx the xxxx of xxx club xxxxxxxx ensemble xxxxxx at xx New xxxx Five xxxx Manhattan's xxxx Village xxxxxxx Analysis xx Ray xxxxxxxx You xxx My xxxxxxxx Name xx Ensemble xxx Charles xxx Orchestra xxxxxxxxx and xxxxxxxxxxx Ray xxxxxxx - xxxxxx piano xxxxx musicians x saxophone xxxxxx bass xxxxx backing xxxxxx Song xxxxx You xxx My xxxxxxxx Song xxxx AABA xxxx a xxxxx section xx the xxxxxx Blues xxx Tempo xxxxxx bpm xxxxx Gospel-infused xxxx Melody xxxxxx and xxxxxxxx with xxxx bluesy xxxxxxxxxxx wherein xxxxxxx uses xxxxxxxxxx effectively xx create x memorable xxxx Rhythm xxxxxxxxx a xxxxxx shifting xx a xxxx straightforward xxxxx beat xxxxxx the xxxxx section xxxxxx bebop xxxxx Techniques xxxxxxxx piano xxxxxxx is xxxxxx and xxxxxxxx providing xxxxxxxx support xxx occasional xxxxx I xxxxxxx find x solo xx this xxxxxxx Bass xxxxxxxxxx The xxxx line xxxxx steadily xxxxxxxxxx the xxxx anchoring xxx rhythm xxx providing x foundation xxx the xxxxx instruments xxxx Techniques xxx drummer xxxxx a xxxxxx swing xxxx with xxxxx cymbal xxxx and xxxxxx accents xx the xxxxx Improvisation xxxxx are xx extended xxxxxxxxxxxx solos xx this xxxxxxx However xxx Charles' xxxxx delivery xx full xx improvisation xxxx melismas xxxxx and xxxxxx variations xx phrasing xxxxxxx The xxxxxxx vocalists xxxx in x gospel xxxxx I xxxxx this xxx also xxxxxxxxxxxxx adding xxxxxxx and xxxxxxx to xxxxxxxx lead xxxxx by xxx use xx call-and-response xxxxxxxxxx and xxxx phrases xxxxxxxx a xxxxx of xxxxxxxxx and xxxxxx experience xxxxx Singer xxxxxxxxxx Charles' xxxxx style xx heavily xxxxxxxxxx by xxxxx singers xxxx Bessie xxxxx and xxxxxx Holiday xx using xxxx notes xxxxxxxx and x raw xxxxxxxxx delivery xx convey xxx depth xx his xxxxxxxx Analysis xx Art xxxxxx and xxx Jazz xxxxxxxxxxx Moanin' xxxx of xxxxxxxx Art xxxxxx and xxx Jazz xxxxxxxxxx Musicians xxx Instruments xxx Blakey x drums xxxxx Shorter x tenor xxx - xxx Morgan x trumpet x Bobby xxxxxxx - xxxxx - xxxxx Merritt x bass xxxxxxxxxx Song xxxxx Moanin' xxxx Form xxxx with x bridge x section xxx a xxx Tempo xxxxxxxxxxx swing xxx Style xxxx bop xxxxxx The xxxxxx is xxxxxxx and xxxxxx with xxxxxx motifs xxx space xxx improvisation xxxxxx The xxxxxx is x driving xxxxx with xxxxxxxx drums xxxxxxx the xxxx forward xxxxx Techniques xxxxxxx plays x mix xx comping xxx soloing xxxx comping xx sparse xxx tasteful xxxxxxx leaving xxxxx for xxx other xxxxxxxxxxx with xxxxxx inflections xxxx Techniques xxxxxxx walks xxx bass xxxx throughout xxx song xxxxxxxxx a xxxxx foundation xxx adding xxxxxxxx drive xxxx by xxxxxx a xxxxx melodic xxxx during xxx bridge xxxx Techniques xxxxxxxx drumming xx the xxxxxxxxx of xxx song xx playing xx in xxxxxxxxxxxx style xxxxxxxxxxxxx elements xx swing xxxxx and xxxxxxx drumming xxxxxxxxxxxxx Wayne xxxxxxx - xxxxxxxxx solo xx full xx melodic xxxxxxxxx and xxxxxxxx complexity xx uses x wide xxxxx of xxxxxxxx and xxxxxxxx creating x sense xx tension xxx release xxx Morgan x Morgan's xxxx is xxxx direct xxx bluesy xxxx Shorter's xxxxx Timmons x Timmons' xxxx is x masterclass xx hard xxx piano xx using xxxx bluesy xxxxxx rhythmic xxxxxxxxxxxx and xxxxxxxxxx chord xxxxxxx to xxxxxx a xxxxxxxxxxx performance xxxxxxxx of xxxxxx Silver's xx or xxxxx Name xx Ensemble xxxxxx Silver xxxxxxx Musicians xxx Instruments xxxxxx Silver x piano xxxx Mitchell x trumpet x Junior xxxx - xxxxx saxophone x Gene xxxxxx - xxxx throughout xxxxx Hayes x drums xxxxxxxxxx Song xxxxx Se xx Blues xxxx Form xxxx blues xxxx a xxxxxx C xxxxxxx AABA xxxx Signature xxxxx feel xxxxx Medium xxxxx Rhythm xxx rhythm xx a xxxxxxx Latin xxxxxx with x strong xxxxxxxx on xxx offbeats xxx drums xxxx a xxxxx pattern xxxxx is x two-bar xxxxxx that xxxxx the xxxxxxxxxx of xxxx Afro-Cuban xxxxxxx Melody xxx melody xx bluesy xxx catchy xxxx a xxxxxx Latin xxxxxx with xxx basis xx the xxxxxxxxxxx -bar xxxxx progression xxx with xxxx chromatic xxxxxxx tones xxx rhythmic xxxxxxxxxx Horace's xxxxxxxxxxxxx style xxx of xxxxx scales xxx motifs xxxxxxxx solo xx full xx bluesy xxxxxxxxxxx including xxxx notes xxxx notes xxx call-and-response xxxxxxx Syncopation xxx rhythmic xxxxxxxxxxxx He xxxxx with xxx rhythm xxxxxxxxx placing xxxxx on xxx offbeats xxx displacing xxx accents xx create x sense xx surprise xxx anticipation xxxxxx and xxxxxxx He xxxxxxx play x lot xx notes xxx every xxxx he xxxxx counts xx focusing xx melody xxx phrasing xxxxxxxx memorable xxxxx that xxxxx in xxxx head xxx of xxxxx He xxxxxx plenty xx space xx his xxxx allowing xxx other xxxxxxxxxxx to xxxxxxx and xxx rhythm xxxxxxx to xxxx through xxxxxxx Analyzing xxxxxxxxxx My xxxxxxxx Things x Jazz xxxxxxx Soprano xxx and x Sonic xxxxx Coltrane's xxx of xxx soprano xxxxxxxxx in xx Favorite xxxxxx Melody xx Improvisation x Dance xx Structure xxx Freedom xxx Coltrane xxxxxxxxx is x beautiful xxxxxxxxx between xxx familiar xxxxxx of xxx song xxx Coltrane's xxxxxxxxxxxxxxx genius xxxxxxxxx to xx understanding xxxxxx - xxxxxxxx opens xxxx a xxxxxxxx rendition xx the xxxxxx establishing xxx song's xxxxx with x clear xxxxxxxxx tone xxxxxxxxxxxxx - xx then xxxxx into xxxxxxxxxxxxx taking xxx melody xx a xxxxxxxxxxx to xxxxxxx a xxxxxxxx of xxxxxxx possibilities xxx solo xx virtuosic xxxxxxx intricate xxxxx rhythmic xxxxxxxxxx and xxxxxxx fragments xx the xxxxxxxx tune xxxxxx - x brief xxxxxx to xxx melody xxxxxxxxx us xx the xxxxxx core xxxxxx venturing xxxxxxx into xxxxxxxxx territory xxxxxxxxxxxxx - xxxxxxxx pushes xxx boundaries xxxxxxx exploring xxxx dissonant xxxxxxxxx and xxxxxxx phrases xxxxx still xxxxxxxxxxx a xxxxxxxxxx to xxx song's xxxxxxx Melody x A xxxxxx melody xxxxxxx with xxxxxxxx adding xxxxxx improvisational xxxxxxxxxx hinting xx the xxxxxxx yet xx come xxxxxxxxxxxxx - xxx final xxxxxxxxxxxxx explodes xxxx fiery xxxxxx showcasing xxxxxxxxxx mastery xx bebop xxxxxxxx and xxx ability xx build xxxxxxx and xxxxxxx with xxxxxxxxxxxx virtuosity xxxxxx - x final xxxxxxxxxxx statement xx the xxxxxx bringing xxx piece xx a xxxxxxxx resolution xxxxxxxx of xxxxxxxxxx Impressions xxxx of xxxxxxxx John xxxxxxxx Quartet xxxxxxxxx and xxxxxxxxxxx John xxxxxxxx - xxxxx saxophone xxxxx Tyner x piano xxxxx Garrison x bass xxxxx Jones x drums xxxx Title xxxxxxxxxxx Song xxxx AABA xxxx each xxxxxxx measures xxxx Tempo xxxxxxxxxxx swing xxxxx Hard xxx The xxxxxxxx First xxxx McCoy xxxxx - xxxx Solo xxxxx Garrison x Coltrane xxxx John xxxxxxxx - xxxxx Solo xxxxx uses xxx entire xxxxx of xxx piano xxxxxxx both xxxx and xxx notes xxxx introspective xxxxxxxx in xxxxxxxxxx both xxxx block xxxxxx in xxx left xxxx while xxxxxxxxxxx melodies xxxx the xxxxx During xxxxxxxxxx solo xxxxx switches xx comping xxxxxxxxx rhythmic xxx harmonic xxxxxxx Bass xxxx Garrison xxxxx a xxxxxxx bass xxxx throughout xxx solo xxxxxxxxx the xxxxxx and xxxxxxxxx the xxxxx changes xxxxxx melodic xxxxxxxx playing xxxxxxxxxxx lines xxx double xxxxx Jones xxxxxxxx him xxxx a xxxxx swinging xxxx emphasizing xxx offbeats xxxxxxxxxx Solo xxxxxxxx starts xxx solo xxxx a xxxxxx of xxxxx showcasing xxx incredible xxxxxxxxx virtuosity xx using x wide xxxxx of xxxxxxxxxx including xxxxxxxxx chromaticism xxxxxxxxxxxx and xxxxxxxx breathing xxxxxxx Impression x believe xx represents x hard xxx improvisation xxxxx Emotional xxxxxxxx and xxxxxxx Analysis xxxxx evokes x profound xxxxx of xxxxxxxxxxxx and xxxxxxxxxxxxx with x slow xxxxx modal xxxxxx and xxxxxxx sparse xxxxx chords xxxxxx a xxxxxxxxxx atmosphere xxxxxxxxxx mournful xxxxxxxxx tends xx convey x sense xx longing xxx searching xxxxx with xxxxxxxxxx bass xxxx and xxxxx Jones' xxxxxx cymbal xxxx add xx the xxxxx of xxxxx and xxxxxxx Coltrane's xxxxxxx Coltrane's xxxxxxx in xxxxx is xxx of xxxxxxxxx yearning xxx transcendence xxx can xxxx him xxx saxophone xx speak xx the xxxx expressing xxxxxxxx that xxxxx cannot xxxxxxx his xxxxxxx intention xxxxx to xxxxx spiritual xxxxxxxxxxx Musical xxxxxxxxxxx Tempo xxxx bpm xxxxxx Modal xxxx a xxxxxxxxx motif xxxxx Sparse xxxxxx mostly xx the xxxxx register xxxx Repetitive xxxxxxx line xxxxx Subtle xxxxxx work xxxxxxxxxx accents xxxxxxxxx Long xxxxxxxxx notes xxxxxxxx cries xxxxxxxxxxxxxxxxxxx mood xxxxxxxxxx introspective xxxxxxxxx Chapter xxxxxxx Coleman's xxxx Jazz x Collective xxxxxxxxxxxxx Ensemble xxxxxxxxxxx Yes xxxxx seconds xxxxx are xxxxxx where xxx ensembles xxxx to xx playing xxxxxxxx creating xxxxxxx of xxxxxxxxxx harmony xxx rhythmic xxxxxxxxx Two xxxxxxxx on xxxxxx side x believe xxx Bass xxxxxxxxx is xxxxxxx Melody xxxxxx swing xxxxx isn't x single xxxxx melody xx the xxxxxxxxxxx sense xxxxxxx fragments xx melodies xxxxxx and xxxxxxxxx shared xx juxtaposed xxxxxxx the xxx quartets xxxx more xxxx a xxxxxxxxxxxx with xxxx instrument xxxxxxxx its xxx melodic xxxxxxxxxxxx to xxx collective xxxxxxxxxxxxx Improvisation xxxx by xxxxxxx but xxxxx like xxxxxxxx is xxxxxxxxxxx throughout xxxxxxxx there xxx no xxxxxxx solos xx pre-determined xxxxxxx Each xxxxxxxx is xxxxxxxxxx to xxx moment xxxxxxxx to xxxx the xxxxxx are xxxxxxx and xxxxxxx the xxxxx in xxxxxxxxx Rhythm xxx rhythm xx not xxxxxxxx you xxx hear xx in x pattern xx ebbs xxx flows xxxx tight xxx swinging xxxxx times xxxx fragmented xxx free xxxxxxxxxx the xxxxxxxx moods xxx textures xx the xxxxxxxxxxxxx Cecil xxxxxx vs xxxxx Jarrett x Tale xx Two xxxxxxxxxxx Form xxxx AABA xxxx tempo xxxxxx bpm xxxxxxx Cecil xxxxxx Completely xxxx with xx pre-determined xxxxxxxxx or xxxxxxxx material xxxxx Jarrett xxxxxxx based xx the xxxxx form xxxx Jarrett xxxxxxxx variations xxx improvising xxxxxx the xxxxxxxxx Harmony xxxxx Taylor xxxxxxxxx and xxxxxxxxxxxxx exploring xxx outer xxxxxxx of xxxxxxxx and xxxxxxxxx Keith xxxxxxx More xxxxxxx and xxxxxxxxx rooted xx the xxxxxxxxxxx jazz xxxxxxxx language xxx with xxxxxx of xxxxxxxxxxxx and xxxxx exploration xxxxxx Blues xxx Cecil xxxxxx Fragmented xxx fleeting xxxxx emerging xxxx and xxxxxxxxxx back xxxx the xxxxxxxx textures xxxxx Jarrett xxxx developed xxx sustained xxxx Jarrett xxxxxxx intricate xxxxxxx lines xxx exploring x wider xxxxx of xxxxxxxx Rhythm xxxxx Taylor xxxxxxxxx and xxxxxxxxxx shifting xxxxxx by xxxxxxxxxxx and xxxxxx tempo xxxxxxx Keith xxxxxxx More xxxxxxxxxxxxxxx with x steady xxxxx that xxxxxx for xxxxx and xxxxxxxxxxx within xxx rhythm xxxxxxxxxxxxx Cecil xxxxxx Dense xxx virtuosic xxxx rapid-fire xxxx clusters xxx extended xxxxxxxxxx Keith xxxxxxx More xxxxxxxxxxxxx and xxxxxxxxxx with x focus xx melodic xxxxxxxxxxx and xxxxxxxxx expression xxx Ra xx The xxx Ensemble xx Chicago x Kaleidoscopic xxxxxxxx Form xxxx AABA xxx Ra xxxxx and xxxxxxxx often xxxxxxx into xxxxxxxx jams xxx exploratory xxxxxxxx Form xxxxxxx from xxxxxxxxxx improvisation xxxxxx than xxxxxxxxxxxxxx structures xxx Ensemble xxxx varied xxxxxxxxxxxxx elements xx free xxxx traditional xxxx forms xxx even xxxxxxxxxx elements xxxx their xxxxxxxxxxxx Individual xxxxx are xxxx defined xxx the xxxxxxx structure xxxxxxx fluid xxx unpredictable xxxxxxx Sun xx Dense xxx layered xxxxxxx from xxxxxxx influences xxxx African xxxxx space-age xxxxxx and xxxxx experimentation xxxxxxxxxx and xxxxxxxxxx harmonic xxxxxx are xxxxxx Art xxxxxxxx More xxxxxxx and xxxxxxxx blending xxxxxxxxxxx jazz xxxxxxxxx with xxxxxxxxx atonality xxx even xxxxxxxxxxxxx non-musical xxxxxx like xxxxxxxx and xxxxxx noises xxxxxx Sun xx Often xxxxxxxx and xxxxxxxxxxxx with xxxxxx synth xxxxx and xxxxx chants xxxxxxx through xxx sonic xxxxxxxx Melodies xxx be xxxxxxxxxx and xxxxxxx appearing xxx disappearing xxxx fleeting xxxxxxx Art xxxxxxxx More xxxxxxxx in xxxxx and xxxxxxx influences xxxxxxxxx soulful xxxxxxxxx lines xxxxxxx trumpet xxxxxxxx and xxxx spoken-word xxxxxxxx Melodies xxx often xxxxxx and xxxxxxxxxx passed xxxxxxx instruments xxxx a xxxxx in x relay xxxx Rhythm xxx Ra xxxxxxxxx and xxxxxxxx driven xx polyrhythms xxx meters xxx the xxxxxxxx pulse xx electronic xxxxxxxxx The xxxxxx section xxxxx operates xxxxxxxxxxxxx creating x sense xx space xxx mystery xxx Ensemble xxxx grounded xx swing xxx African xxxxxxx often xxxxxxxxx a xxxxxxx pulse xxx playful xxxxxxxxxxxx interplay xxx drums xxx more xxxxxxxxxxx responding xx and xxxxxxx the xxxxxxxxxxxxxx of xxx other xxxxxxxxx Improvisation xxx Ra xxxxxxxxxx and xxxxxxxxxxx with xxxxxxxxxx voices xxxxxxx into x unified xxxxx expression xxxxx are xxxx and xxx focus xx on xxxxxxxx a xxxxxxxxxxxx atmospheric xxxxxxxxxx through xxxxxxxxxx interplay xxx Ensemble xxxx individualistic xxxx each xxxxxx showcasing xxxxx unique xxxxx through xxxxxxxx solos xxxxxxxxxxxxxx are xxxxx playful xxx theatrical xxxxxxxxxxxxx humor xxxxxx word xxx even xxxxxxxx movement xxxxxxxxxxxxxxx Sun xx Vast xxx ever-evolving xxxxxxxxx traditional xxxx instruments xxxxxxxxx homemade xxxxxxxxxx devices xxxxxxxxxxxx and xxxx exotic xxxxxxxxxx instruments xxx instrumentation xxxxxxxxxxx to xxx otherworldly xxxxxxxxx aesthetic xxx Ensemble xxxx traditional xxxxxxxxx a xxxx quintet xx saxophone xxxxxxx bass xxxxx and xxxxx However xxxx also xxxxxxxxxxx additional xxxxxxxxxxx like xxxxxx percussion xxxx and xxxx conch xxxxxx adding x playful xxx unpredictable xxxxxxx to xxxxx sound xxxxxxxx Sun xx Outlandish xxx theatrical xxxx Sun xx himself xxxxxxx in xxxxxxxxxx costumes xxx headgear xxx stage xxxxx is xxxxx filled xxxx lights xxxxxxxxxxx and xxxxx visual xxxxxxxx that xxxxxxx the xxxxxxxxxxxx atmosphere xxx Ensemble xxxx understated xxxx the xxxxx on xxx music xxxxxx However xxxx do xxxxxxxxxxx elements xx performance xxx into xxxxx shows xxxx costumes xxxxx and xxxx choreographed xxxxxxxx adding x playful xxx theatrical xxxxxxxxx Personal xxxxxxxx Sun xx I xxxxx myself xxxxxxxxxx by xxx sheer xxxxx density xxx otherworldly xxxxxxxxxx It's x challenging xxxxxx at xxxxx but xxxx also xxxxxx rewarding xxxxxxxxxxxx the xxxxxxxx to x different xxxx and xxxxx Art xxxxxxxx I xxxxxxx the xxxxxxx energy xxx infectious xxx of xxxxx performance xxxx though xxxxx music xxx be xxxxxxx and xxxxxxxxxxx it's xxxxxx rooted xx a xxxxx of xxx and xxxxxxxxxxx Chapter xxx Weather xxxxxx play xxxxx hit xxxxxxxx https xxx youtube xxx watch x pqashW x o xxxxxxxxx and xxxxxxxxxxx Joe xxxxxxx Keyboards xxxxx Shorter xxxxxxxxxx Jaco xxxxxxxxx Bass xxxxx Erskine xxxxx Bobby xxxxxx Jr xxxxxxxxxx Tempo xxxx Rhythm xxxxxxx Improvisation xx terms xx call xxx response xxxx AABA xxx piano xxxxxxxxx employed xxx Swing xxxxxxxxxxx Saxophone xxxxxxxx Piano xxxxx Violin xxx Trumpet x Guitar xxxxxx around x Around xx - xxxxxxx bass xxxxx comping xxx Jazz x I xxxxxxx it xx around xx - xxxxxxxx ths x I xxxxxxx he xxxx his xxxxxxxx in xxxxx that xxxxx have xxxxxxxxx to xx with xxx life xxxxx experience xxx learning xxx Berg xxxxx sax xxxx Stern xxxxxx Band xxxx Chromazone xxxxx www xxxxxxx com xxxxx v xxxxxxx GvI xxxxx bpm xxxxxx Ragtime xxxx ABAC xxxxxxxxxxx Saxophone xxxxxxxx Piano xxxxx Violin xxx Trumpet xxxxxx and xxxxx after x around xx Michael xxxxxxxx Itsbynne xxxx https xxx youtube xxx watch x FomR xx U xxxxxx ragtime xxxxx bpm x medium xxxxxx Two xxxxxxxx one xxxxxx at xxx the xxxxxx after xxxx AABA x Electronic xxxx Instrument x Social xxxx dance x Reel xx a xxxx dance xxxx - xx - xxxxx electric xxxx that xxxxxxx lit xxxx a xxxxx - xxx second xxxx Britney xxxxxx Circus xxx really xxxxx www xxxxxxx com xxxxx v xxxxxxxxx Tempo xxxxxx bpm x bar x Bass x According xx my xxxxxxxxxxxxx it xxx electronic xxxxx Loops xxxx their xxxxxxx of xxxxxx https xxx youtube xxx watch x dBqtKU xxx I xxxxxxx the xxxxx and xxxx was xxxxxxx with xxxx improvisation xx terms xx Jazz xxx differences xxx be xxxxx during xxx chorus xxxxx McFerrin xxxxx www xxxxxxx com xxxxx v x bLXqhIvJE xxxxx bpm xxxxxx - xxxxx up xxx crowd x I xxxxx bass xxxxxx in x crowd xxxxx along xxxxx Scat xxxxxx and xxxx response xxx traces xx bepop xxx Bad xxxx play xxxxxxxxx Wants xx Rule xxx World xxxxx youtu xx q xxxxxxxxx Style xxxxx Bar xxxxxxx Bass xxxxxxx Piano xxxx AABA xxxxx are xxxxxx in xxxxxxxx Swing xxxxx bpm xxxx Robert xxxxxxx Experiment xxxx Nirvanas xxxxxx Like xxxx Spirit xxxxx youtu xx KdgWiWrtMZo xxxx compared xx the xxxxxxxx the xxxx tends xx have xxxx of xxxxxxxxxxxxx in xxxxx of xxxx effect xxxxx blues xxx rhythmic xxxxx drumming xxxxxxx piano xxxxxxx bass xxx form xxxx Trombone xxxxxx is xxxxxxxx New xxxxxxx jazz xxxx circle xxxxxxxxx Season xxxxx youtu xx BzByl xxxxx The xxxx played xx the xxxxxxx tends xx be xxxxxxxx with xxxxx instruments xxxxxx a xxxxx combing x trombone xxxxxx bass xxxx rhythmic xxxxx drumming xxxxx bpm xxxxxx style xxxx and xxxxxxxx and xxxx - xxxx Jacob xxxxxxx sing xxxxxxxxxxx Rhythm xxxxx www xxxxxxx com xxxxx v x H x IdE xxxxxxx - xxxxx with xxxxxxxxxxxxx vocal xxxx bass xxxxxxxx twisted xxxxxx scat xxxxxxx and xxxx AABAMore Articles From Music
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