Question.2238 - What is a Comparative Analytical Film Essay?A comparative analytical film essay is an essay in which students compose by either comparing, contrasting, or compare and contrast two different films. The two films must be from the list assigned during the class and not the films you picked for last assignment. Guidelines for Essay: Your essay must start with your thesis. This thesis should be relevant to both films. Provide equal weight to each side as much as possible. DO NOT write a review of each film, this should be an essay. Do not write what the movies are about but rather how they compare and/or contrast with each other. We all know what each film is about! If your essay reads as a review in any way, it will not be accepted. Your essay should be about the reasons behind these films not the production side. Write about what these two films are trying to convey, what their messages are, attack their themes, did they depict reality, and how successful were they? What do they try to teach or tell us? Please dig deep! And support your claims. Focus on differences, similarities, or both and support them with examples from the films. You may refer to other films we watched during the course, but your focus should only be on the two films you choose. You must compare or contrast at least 3 different points. Use characters’ names. DO NOT use the main character, the hero, or the protagonist strictly in place of their names. Identify who you are talking about. You may use he/she later if you establish clearly who you are talking about.
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A xxxxxxx A xxxx and xxx Wheels xx Justice xxxxxxxx Butts xxx Jos xxxxx University xxx Department xx Film xxx Theatre xxxx - xxxxxxxxxxx Cinema xxxxxxxxx Yasser xxxxxx May xx A xxxxxxx A xxxx and xxx Wheels xx Justice x Clash xxxxxxx Similarities xxx Differences xxx essay xxxxxxx to xxxxxxx the xxxxxxx film xxx Bicycle xxxxxxx and xxx Russian xxxx the xxxxxxxxxx reason xxx choosing xxxxx two xxxxx is xxxx - xxxx both xxxx to xxxxxx influential xxxxxx commentaries xx exploring xxx core xxxxx of xxxxxxx in x subtle xxx all xxxx within xxxxxx human xxxxxxxxx settings xxxxx De xxxxxx neorealist xxxxxxxxxxx examines xxx struggles xx post xxxxx War xx in xxxxx Mikhalkov's xxxxxxxxxxxx courtroom xxxxx delves xxxx the xxxxxxxxxxxx of xxxxxx Russia xxxxxxxxxxx both xxxxx expose xxx fragility xx justice xxxxxxx and xxx desperation xx individuals xxxxxx within xxxx In xxxxx of xxxxxxxxx some xx the xxxxxxxxxxxx is xxx it xxxxxxxxx ordinary xxxxxx as xxx Antonio xxx is xxxxxxx to xxxxx or xxxxxxxxxxxxx circumstances xxx instance xxxxxxxxxxx The xxxxxxx Thieves xxxxxxx Antonio xxxxxxx desperate xxxxxx for xxx stolen xxxxxxx is x microcosm xx the xxxxxxxxx faces xx countless xxxxxxx post xxxxx War xx drawing xxxxxxxxx the xxxx tends xx tell xxx story xx twelve xxxxxx grappling xxxx the xxxx of x young xxxxxxx man xxx was xxxxxxx of xxxxxx wherein xxx narration xx this xxxx is xxxxxxxx towards xxxxxxxxxx on xxx deep-seated xxxxxxxxxx and xxxxxxxx tensions xx contemporary xxxxxx But xxx narrative xxxxxxxxx of xxxx films xxxxxx as xxx Bicycle xxxxxxx tends xx employ x linear xxxxxxxxx keeping xxx audience xx ease xxxxxx to xxxxxx them xxxx the xxxx creating xxx feeling xx desperation xx utilizing xxxxxxxxx quest xxx his xxxxxxx involving xxxxxx and xxxxxxxx trouble xx chronological xxxxx setting x tone xxx straightforward xxxxxxxxx mirrors xxx relentless xxxxxx of xxx struggle xxxxxxxxxxx the xxxxxxxx nature xx poverty xxx limited xxxxxxx available xx him xx contrast xxx film xxxxxxxxxxx a xxxxxxxxxx narrative xx interweaving xxxxxxxxxx of xxx trial xxxx jurors' xxxxxxxxxxx deliberations xxxxx has xxxxxxxx in xxxxxxxxxxx the xxxxxxxxx of xxx film xxxxxxxx the xxxxxxxx to xxxx a xxxxxx exploration xx the xxxx characters' xxxxxxxxxxx and xxxxxx which xx revealed xxxxxxx the xxxxxxx interplay xx personal xxxxxxxxxxx and xxxxxxxx influences xxxx shapes xxx understanding xx justice xxxxxxx similarity xxxx goes xxxxxxxxx is xxx - xxxx films xxxxxx the xxxxxxxxxxxx between xxxxxxx and xxxxxxxxxxx for xxxxxxxx in xxx film xxx Bicycle xxxxxxx after xxx bicycle xx stolen xxx protagonist xx further xxxxxxxxx to xxxxxxxxxxx another xxxxxxxx the xxxx fails xx engage xxxxx characters xx give xxxx equal xxxxxxxxxx although xxxx is xxxxxxxxxxxxx given xxx societal xxxxx during xxxx world xxx II xxx different xxxxx on xxx other xxxx in xxx film xxx jurors' xxxxxxxx struggles xxxxx with xxxxxx are xxxxxxx by xxxxxxxx the xxxxxxxx against xxxxxxx and xxxxxxxx inequality xx terms xx wrapping xxxxx sense xx justice xxxxxx Language xxxxxxxxxxx the xxxxxx language xxxxxxxx in xxx film xx the xxxx Bicycle xxxxxxx De xxxxxx neorealist xxxxxxxxxx along xxxx on-location xxxxxxxx using xxxxxxxxx shots xxxxxxxxxxxx it xxx in x monochromic xxxxx tone xxxxx to xxxx a xxxxx of xxxxxxxxx to xxxxxxxxx plight xxxx is xxxxxx of xxxxxxxxxxxxxxx But xx contrast xxxx utilizes x modern xxxx the xxxx appears xx be xxxxxxxx yet xxxxxxxx a xxxxxxxxxxxxxx setting xxxxx has xxxxx the xxxxxxxx the xxxxx to xxxx around xxxx the xxxxxxx suspicious xxxx of xxx film xxxx varying xxxxxxx closeup xxxxx and xxxxxx the xxxxxxx Thieves xxx employed xxxxxxxxxx lighting xx instill x sense xx tension xx the xxxxxx deliberations xxx observation xxxx deserves xxxxxx how xxxxxxxxxxx utilizes xxxxxxxxx camera xxxxxx key xxxxxxx adds x sense xx urgency xxx not xxxx the xxxxxx dramatic xx sorrowful xxxxxxx felt xxxxx watching xxx Bicycle xxxxxxx Sound xxx In xxxxx of xxxxxxxxx the xxxxx engineered xxxx films xxxxxxx considering xxx film xxx sound xxx is xxxx mellow xxx dramatic xx just xxx right xxxxxx to xxxxxxx the xxxxxx of x closed xxxxxxxxx drama xxxxx capturing xxx small xxxxxx like xxxxxxx down xx even xxx use xx desk xxxx elevates xxx silence xxxx further xxxxxxxxxx a xxxxx of xxxxxxxxxxxxxx tension xxxxx the xxxxxxxx On xxx contrary xxx Bicycle xxxxxxx utilizes xxxxxxxx sounds xx bustling xxxx streets xxxx are xxxxxx not xxxxxxx in xxxxxxx but xxxxxx employed xx a xxx documentary xxxx also xxx mournful xxxxxxx of xxxxxxxxx music xxxxxx a xxxxxxxxxxx atmosphere xxxx underscores xxxxxxxxx despair xxx in xxxxxxx scene's xxx sparse xxxxxxxxxx of xxxxxxxxxxxx music xxxxxxx the xxxxxxxxx to xxxxxxx with xxx simple xxxxxxxx interplayed xxxxxxx Antonio xxx Bruno xxxxxxxxx in xxx rain xxxxxxx In xxxxx of xxxxxxx in xxx Bicycle xxxxxxx De xxxx has xxxxxxxxxx editing xxxxx there xxx several xxxxxxx shots xx takes xxxx for xxx scenes xx make xxxxx but xx enables xxx audience xx observe xxx absorb xxx characters xx contrast xxxxxxxxxxx utilizes xxxx cuts xxxxxxx the xxxxxx arguments xxx also xxxxxx the xxxxxxxxx moments xxxxx constantly xxxxxxx us xx the xxxxxxxxxxx evidence xxx the xxxxxxx personal xxxxxx Performance xxxxxx considering xxxxx performance xx The xxxxxxx Thieves xxxxxxxx Maggiorani's xxxxxxxxx of xxxxxxx is x masterclass xx understated xxxxxx conveying x spectrum xx sentiments xxxxxxx subtle xxxxxxxx and xxxxxx expressions xxxxx his xxx named xxxxx played xx Enzo xxxxxxx made xx feel xxx innocence xxx resilience xxxxxx to xxxxxxxx the xxxxx realities xx adulthood xxxxx the xxxx is xx less xx it xxxxxxxx a xxxxxxxxxxxxx of xxxxxx each xx the xxxxxx brought xx their xxx distinct xxxxx of xxxxxx but xxxxxx The xxxxxxx Thieves xxxxx provides xxxxxxxxx narration xxxxxxxx the xxxxx emphasizing xxxxxxxxx alone xxxxxxxxxx However xxxx films xxxxxxx in xxxxx depiction xx the xxxxx system xxx its xxxxxxx to xxxxxxx justice xx distinctive xxxx In xxx Bicycle xxxxxxx the xxxxxx are xxxxxxxxx as xxxxxxxxxxx and xxxxxxxxxxx highlighting xxxxxxx unable xx help xxxxxxx recover xxx stolen xxxxxxx with xxx intent xxxx justice xxxxx money xxxxx only xxx higher xxxxxxxxxxxxx class xxx afford xxxxxxx the xxxx to xxxx on xxxxx own xxxxxxxxx while xxx film xxxxxxx to xxxx on xxx contrary xxxxxxxxx by xxxxxxxxx justice xxxx uncorrupted xxxxx proves xxxxxxxxxx that xxxxxxx is xxxxxxxxxx through xxxxxxx considerations xxx open xxxxxxxxx In xxxxxxxxxx both xxxxx offer xxxxxx cinematic xxxxxxxxxxx with xxxxxx similarity xx cherish xxxxxxx parallels xxxxxxx justice xxx human xxxxxxxxxx and xxxxxxxxx in xxx they xxxxxx to xxxxxx the xxxxxxxxx of xxxxxxx systems xxx the xxxxxxxxxxx of xxxxxxxxxxx who xxxx ordinary xxxxxx caughtMore Articles From Film and Movies
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