Question.692 - These three clips are opening scenes from movies depicting war, The Hurt Locker (War in Iraq), Saving Private Ryan (World War II), and Apocalypse Now (Vietnam War). Describe the different cinematic techniques used to draw the viewer into the scene? How does sound enhance the cinematic qualities? What other aspects are used to create a sense time and place in history?Explain your choices in as much detail as possible. For full credit students must respond to at least two peers, one you agree with and why and one you do not agree with and why. Your post should appear in paragraph format and be a minimum of 250 words and all response posts a minimum of 150 words. (Assignment time expectation 3 – 4 hours)
Answer Below:
Considering xxx cinematic xxxxxxxxx used xx all xxxxx clips xxxxx to xx wider xxx long xxxxx since xxx primary xxxxx was xxxxxx on xxx surroundings xx have x better xxxxxxxxxx Such xx in xxx hurt xxxxxx opening xxxxx or xx most xx the xxx sequences xx depict x wider xxxx to xxxx a xxxxxx view xx diverse xxxxxxxx in xxx frame xxxxx important xxxxxxx appears xxxxxx to xxx camera xx the xxxx locker xxx bombing xxxxxxxx uses x mix xx Dutch xxxxx shots xxxx a xxxxxxx tilt xx the xxxxxx angle xxxx a xxxxxx close-up xxxx the xxxxxxxx to xxx chest xxxxx of xxx actors xxx a xxxx shot xx bring xx an xxxxxxx theme xxxx as xxxx there xx a xxxx sequence xxxxxxxx to xxxx wider xxxx are xxxxxxxx in xxx sequence xxxxxxx appear xxxxxx to xxx screen xxx the xxxx is xxxxx to xxxxx the xxxxx subjects' xxxx portraying xxx viewer xx a xxxxxxxxx in xxx intense xxxxxxx deactivating xxx medium xxxx shot xxxx this xxxx shot xxxxx Sergeant xxxx Thompson xxxxxxxx a xxxx costume xxxxx approaching xx incendiary xxxxxxxx that xxx squad xxx launched xx a xxxxxx of xxxxxxxxxxxx others xxx picture xxxxxx to x wide xxxxx from xxx viewpoint xxxx he xxxxxxxxxx the xxx among xxxxxxx and xxx explosion xxx camera xxxxx like xxxxxxxxxx neck xxxxxx and xxx image xxxxxxxx spectators xxxx a xxxxxxx of xxx set xx that xxxxxxx spectators xxxxxx select xxxx to xxxxxxxxxxx upon xxxx like xxxxxxxx does xx screen xx addition xxxxx is xxxxxxx since xx connects xxxxxxxxx by xxxxxxx to xxxxxxxx content xxxxxxxxxx aesthetic xxxxxxxxx eliciting xxxxxxx reactions xxxxxxxxxxx what xxx shown xx the xxxxx and xxxxxxxxxx atmosphere xxxx used xxxxxxxxx vocabulary xxxxx effects xxxxxxxxxx and xxxx emptiness xxx significantly xxxxxxx the xxxxxxx of xxxx film xxxxxxxxxxxx poor xxxxx might xxxxxx any xxxx Despite xxxx sound xx frequently xxxxxxxxxx during xxxxxxxxxxxxxxx that xx absurd xxxxx that xx degree xx processing xxxxxxxx could xxxxxxx lousy xxxxx As xxxx in xxx videos xxx cuts xxxxxx a xxxxx role xx editing xxxxxxx to xxx joining xx two xx more xxxxx stitched xxxxxxxx The xxxxxxx scene xxxx the xxxxxxxxx tends xx depict x classic xxxxxxx of xxxxxxx setting x benchmark xxx cuts xxxxxx the xxxxxxxx sequence xxxx as xxxxxx shot xx the xxxxxx while xxxxxxxxxxxxxx are xxxxxxxxx on xxx other xxxx denote x quick xxxxxxxx from xxx time xxx location xx another xxxxxxxx its xxxxxxxxxxxx varies xxxxxxxxx on xxx type xx the xxxxxxx I xxxxxxx for xxx visual xxxxxxxxx they xxxx used xxxxxxxxxxxxx is xxx process xx cutting x scene xxxxxxx two xxxxxxxxx of xxxxxxx that xxxxx be xxxxxxxxx at xxx same xxxx or xx separate xxxxxxx Cross-cutting xx employed xx create xxxxxxxxxxxx or xx demonstrate xxx link xxxxxxx the xxxxxxx sequences xx action xx the xxxxx hand xxxxxxxx tends xx be x vital xxxx of xxx sound xxxxxxx in xxx editing xxxxx the xxxxx process xxx dialogue xxxxxxx cleans xx the xxxxxxxxxxx noises xx the xxxxxxxxxx giving x smoother xxxx to xxx primary xxxxxxxxx voices xx a xxx shot xxxxx as xxxx in xxx Godfather xxxxxxxx We xxxx to xxxxxxxxxx an xxxxxxxxxxx sense xx the xxxxxxxx family xxxxxxxxxx their xxxxxxxxxx the xxxxxxxx of xxx film xx paced xx a xxxxxxxx somber xxxx which xx edited xxxx a xxxxx of xxxxxxxx for xxx people xx obtain x deeper xxxxxxxxxxxxx of xxx backdrop xxxxx of x don xxxxx formed xxxx the xxxxxxx is xxxxx to xxx audience xxx sound xxxx then xx also xx a xxx key x would xxxx to xxx the xxxx audience xxxx returns xx Michael xxxxxxxxx I xx renounce xxx Following xxxx the xxxxxxxx is xxxxx into xxxxxxx sequence xx murders xxxx cross-cutting xxxxxxxx with xxx synthesizer xxxxxxxxxxxxx produces x cadence xxxx intersperses xxxxx violent xxxxx PRs xx the xxxxxxxxx amongst xxx camera's xxxxxxxx and xxx protagonists' xxxxxxx of xxxxxxxx succeeded xx intensifying xxx tension xx also xxxxxxxxxx the xxxxxxxxxxx highly xxxxx and xxxxxxxxxx body xxxxxxxxx They xxx all xx perilous xxxxxxxxxx and xxxxxx sacrificed xxxxxxxxxxx of xxxxx squads xxx they xxxxxx maintain xxxxxxxxx for xxx next xxxxxxxxx As x result xxxx are xxxxxxxx to xxxxx statue-like xxxxx The xxxxxxxxx of xxx cinematography xxxxx a xxxxxxx quality xx this xxxxxx as xxxx as xxx remainder xx the xxxx Arm xxxxxxx are xxxxxxxxxx used xx documentary xxxxxxxxx in x wobbly xxxxx However xx also xxxxxxxx a xxxxxxx instead xx idealized xxxxxxxxxxxxxx of xx occurrence xxxxxx the xxxx Bigelow xxxxxxxxxxx employs xxx method xx stretching xxx compressing xxxxxxxx rendering xxxx events xxxx quicker xx slower xxxx things xxxxxxxxxxx were xxxxxxxxxx this xxxxxxxx she xxxx this xxxxxxxxx to xxxx the xxxxxxxxxxxx pause xxxxx actions xxx opening xxxxx depicts x few xx these xxxxx wherein xxxxxxx swoops xxxx cartridge xxxxxxx out xx a xxxxxxxx fired xxxx because xx descends xx the xxxxxxxx and xxxxxxxxxxxxx delays xxx gunshot xxxx that xx appears xxxx further xx descend xxxxx it xxxxxx ordinarily xxx soundscape xxxxxxxx another xxxxx of xxxxxxx to xxxx situation xxx auditory xxxxxx of xxx discourse xx significantly xxxxxxx than xxxx of xxx violence xxxxxxxxx such xxxxx and xxxxxxx all xxxxxx the xxxx Though xxxx is xxxxxxxx to xxx bullets xxxxxxxx sound xx is xxx consistent xxxx how xxxxx films xxxx historically xxxxx these xxxxxxxx noises xxxxxxxx some xxxxx consider xx a xxxxx to xxxxxxxxx that xxxxxxx are xxxxxxxx than xxxx often xxxxxx frequency xxxxxxxxxxxx to xxxxx the xxxxx difference xxx combat xx this xxxx on xxxxxx hand xx far xxxxxxxx than xxxxx portion xx the xxxxxxxxxx and xx approaches xxxxxx overwhelming xx both xxx viewers xxx the xxxxxxxxxxxx Bigelow xxxx emphasizes xxx sounds xx the xxxxxx aspects xxx emphasizes xxxx as xxx dropping xxxxx and xxx insect xxxxx heightens xxx suspense xx the xxxxxx ominous xxxxx in xxxxxxx portions xx this xxxxxxxx as xxxx as xxxxxxxxxx the xxxx which xxxx to xxx dread xxxxxx It xxxx provides xxx audience xxxx another xxxxxxxxx through xxxxx we xxxxx feel xxx realm xx conflictMore Articles From Film and Movies
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