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Question.5190 - Assignment #4: Film QuestionsDetailsAssignment ObjectiveView, analyze and respond in writing to questions about a film on Ludwig van Beethoven (it's the students' responsibility to access the entire film whether you can find the entire film for free or rent it for a small fee). Connection to Module ObjectiveExamine the music of the Classical Period.Study the culture and history of the Classical Period.Compare Classicism and Romanticism.Observe the transition from the Classical Period to the Romantic Period.Describe the difference between chamber music and symphonic music.StepsAccess the entire 1994 film, Immortal Beloved, staring Gary Oldman as Beethoven.Study Immortal Beloved Whiteboards outlining film events.Examine the film questions prior to viewing the film. View the film.Prepare and submit your written responses to the film questions by the assignment due date.GradingWritten responses to film questions will be judged on the criteria in the grading rubric below.Film HelpAt its core, sonata form is beginning-middle-end form. One could analyze almost anything along these lines. It is unusual to use Sonata form to analyze artistic expression other than music (in this case, film). However, after viewing this film about one of the greatest Classical Period composers I thought it was fitting to analyze the structure of Immortal Beloved in sonata form. Immortal Beloved Whiteboard #1: ExpositionActionsImmortal Beloved WhiteBoard #2: Development SectionActionsImmortal Beloved Whiteboard #3: Recapitulation and CodaActionsFilm QuestionsClassicist versus Romanticist ”Historians observe that style in art moves between two extremes, the classical and the romantic. Both the classicist and the romanticist strive to express emotions within artistic forms. Where they differ is in their point of view. Classicists seek order, reason and serenity while the romantics long for strangeness, wonder, and ecstasy. Classicists are more objective in their approach; they try to view life rationally and “to see it whole.” Romanticists, on the other hand, view the world in terms of their personal feelings. Throughout history, Classical and Romantic ideals have alternated and even existed side by side, for they correspond to two basic impulses in human nature: the need for moderation and the desire for uninhibited emotional expression.” (Page 150, Enjoyment of Music, 11th-Edition) Respond to the questions below about the film, Immortal Beloved. 1. Consider Beethoven the man. Is Beethoven a classicist or romanticist? Use a specific scene from the film to make your point. 2. Immortal Beloved presents a broad spectrum of Classical period genres from piano solo to a variety of chamber ensembles, concertos and symphonic music. Cite at least four different ensemble types presented in the film. List the specific instrumentation for each ensemble as well as the specific scene in which it was featured. 3. What does the film show/teach us about the relationship between the artists’ life and his creative expression? Use a specific scene from the film as the basis of your response. 4. Beethoven’s Europe/Vienna Austria of the late 18th and early 19th centuries is quite different from our current American culture. Cite at least three specific aspects of society/culture presented in the film that you find interesting, intriguing and/or notable. The Plot5. Describe the overall form employed by the filmmakers to tell this story. Where does the film start? Describe the road it travels. Where does the film end?6. What surprising plot twist is revealed towards the end of the film? Did you anticipate this scenario, or were you surprised?

Answer Below:

Film xxxxxxxx Consider xxxxxxxxx the xxx Is xxxxxxxxx a xxxxxxxxxx or xxxxxxxxxxx Use x specific xxxxx from xxx film xx make xxxx point xxxxxxxxx is xxxxx regarded xx a xxxxxxx figure xxx embodies xxxx Classicism xxx Romanticism xxx his xxxxxxxxx depth xxx individualistic xxxxx lean xxxx towards xxxxxxxxxxx A xxxxxxxx scene xxxxxxxxxxxx this xx the xxxxxxxx of xxx th xxxxxxxx During xxx performance xxxxxxxxx unable xx hear xxxxxxx lost xx his xxxxxxxx reflecting xx his xxxxxxxxx and xxx cosmic xxxxxxxxxx he xxxxx with xxx universe xxxx scene xxxxxxxx the xxxxxxxx ideal xx profound xxxxxxxx expression xxx the xxxxxxxxxxxx power xx music xxxxxxxxxxx Beethoven's xxxx as x Romanticist xxx broke xxxx from xxxxxxxxx constraints xxxxxxxx Beloved xxxxxxxx a xxxxx spectrum xx Classical xxxxxx genres xxxx piano xxxx to x variety xx chamber xxxxxxxxx concertos xxx symphonic xxxxx Cite xx least xxxx different xxxxxxxx types xxxxxxxxx in xxx film xxxx the xxxxxxxx instrumentation xxx each xxxxxxxx as xxxx as xxx specific xxxxx in xxxxx it xxx featured xxxxx Solo xxxxxxxxxxxxxxx Solo xxxxxxxxxx Beethoven xxxxx the xxxxxxxxx Sonata xx Giulietta xxxxxxxxxxxx house xxxxxxxx his xxxx against xxx piano xx hear xxx music xxx to xxx encroaching xxxxxxxx String xxxxxxx Instrumentation xxx violins xxx viola xxx celloScene x string xxxxxxx performs xx an xxxxxxxx setting xxxxxxxxxx Beethoven's xxxxxxxxxxxxx to xxxxxxx music xxxxx Concerto xxxxxxxxxxxxxxx Solo xxxxx accompanied xx a xxxx orchestra xxxxxxx woodwinds xxxxx percussion xxxxx The xxxxxxxxxx premiere xx the xxxxxxx Concerto xxxxx Beethoven's xxxxxxxx becomes xxxxxxxx evident xx he xxxxxxxxx to xxxxxxx and xxxx the xxxxxxxxx together xxxxxxxx Instrumentation xxxx symphonic xxxxxxxxx strings xxxxxxxxx brass xxxxxxxxxx with xxxxx soloists xxx chorus xxx the xxxxxx sectionsScene xxx premiere xx the xx Symphony xxxxxxxxxxx in xxx Ode xx Joy xxxxxxxxxx the xxxxxxxx and xxxxxxxxx power xx Beethoven's xxxxxxxxx work xxxx does xxx film xxxx teach xx about xxx relationship xxxxxxx the xxxxxx s xxxx and xxx creative xxxxxxxxxx Use x specific xxxxx from xxx film xx the xxxxx of xxxx response xxx film xxxxxxxxxxx that xxxxxxxxxxx life xxxxxx with xxxxxxxx turmoil xxx profound xxxxxxxxxxx deeply xxxxxxxxxx his xxxxxxxx expression x poignant xxxxxxx is xxx scene xxxxx Beethoven xxxxxxxxxx on xxx relationship xxxx his xxxxxx Karl xxxxxxx his xxx abusive xxxxxx and xxx pressures xx faced xx a xxxxx prodigy xxxx painful xxxx is xxxxxxxx in xxx intense xxxxxxxx and xxxxxxxx contrasts xxxxxxx in xxx music xxxx as xxx turbulent xxx triumphant xxxxxxxx of xxx th xxxxxxxx This xxxxx underscores xxx Beethoven x personal xxxxxxxxx and xxxxxxxxx depth xxxx directly xxxxxxxxx into xxx musical xxxxxxxxxxxx Beethoven x Europe xxxxxx Austria xx the xxxx th xxx early xx centuries xx quite xxxxxxxxx from xxx current xxxxxxxx culture xxxx at xxxxx three xxxxxxxx aspects xx society xxxxxxx presented xx the xxxx that xxx find xxxxxxxxxxx intriguing xxx or xxxxxxx Social xxxxxxxxxxx and xxxxxxxxx The xxxx depicts x society xxxxx artists xxxx Beethoven xxxxxx on xxx patronage xx the xxxxxxxxxxx for xxxxxxxxx support xxxx is xxxx in xxx interactions xxxx patrons xxxx as xxxxxxxx Anna xxxxx Erdody xxxxxxxxxxxx the xxxxxxxxxx on xxxxxxx benefactors x stark xxxxxxxx to xxxxx s xxxx democratized xxx commercialized xxxxx industry xxxxxx Roles xxx Marriage xxx societal xxxxxxxxxxxx and xxxxxxxxxxx on xxxxx are xxxxxxx in xxx film xxx instance xxxxxxxxx s xxxxxxx for xxx brothers' xxxxxxxxx reflects xxx period's xxxxx attitudes xxxxxxx women's xxxxx and xxxxx character xxxxxxxxxxx a xxxxxx order xxxxx different xxxx contemporary xxxxx on xxxxxx equality xxx marriage xxxxxxxxxxxxx and xxxxxxxxxx The xxxxxxx of xxxxxxxxxxxxx such xx letters xxx face-to-face xxxxxxxxxxxxxx stand xxx Beethoven x deafness xxxxxxxxxxxx written xxxxxxxxxxxxx which xx shown xxxxxxxxxx the xxxx contrasting xxxxxxx with xxxxxxx instant xxxxxxx communication xxx film xxxxxxxx how xxxxx slower xxxx deliberate xxxxx of xxxxxxxxxxx influenced xxxxxxxxxxxxx and xxxxx life xxxxxxxx the xxxxxxx form xxxxxxxx by xxx filmmakers xx tell xxxx story xxxxx does xxx film xxxxx Describe xxx road xx travels xxxxx does xxx film xxx The xxxx uses x non-linear xxxxxxxxxxxxx narrative xxxxxxxxx similar xx Citizen xxxx It xxxxxx with xxxxxxxxx s xxxxx and xxx discovery xx a xxxxxxxxxx letter xx his xxxxxxxx beloved xxxxx Schindler xxxxxxxxx s xxxxxxxxx embarks xx a xxxxx to xxxxxxx the xxxxxxxx of xxxx beloved xxxxx leads xxx audience xxxxxxx various xxxxxxxxxx of xxxxxxxxx s xxxx These xxxxxxxxxx reveal xxx events xxx relationships xxxxxxxx a xxxxxxxxxxxxx picture xx the xxxxxxxx s xxxxxxxx and xxxxxxxxxxxx struggles xxx film xxxxxxx through xxxxxxxxx s xxxxxxxxxx childhood xxx romantic xxxxxxxxxxxxx and xxx battle xxxx deafness xx ends xxxx the xxxxxxxxxx of xxxxxxx Reiss xx the xxxxxxxx beloved xxxxxxxxxxx in x poignant xxxxx where xxx reads xxxxxxxxx s xxxxxxxxx letter xxxxxxxx closure xx Schindler x quest xxx the xxxxxxxxx What xxxxxxxxxx plot xxxxx is xxxxxxxx towards xxx end xx the xxxx Did xxx anticipate xxxx scenario xx were xxx surprised xxx surprising xxxx twist xx the xxxxxxxxxx that xxxxxxxxx s xxxxxxxx beloved xx Johanna xxxxx his xxxxxxxxxxxxx and xxx mother xx his xxxxxx Karl xxxxxxxxxx the xxxx various xxxxxxxxxx are xxxxxxxxxx and xxx true xxxxxxxx is x well-kept xxxxxx until xxx end xxxx twist xx surprising xxxxxxx Johanna xx portrayed xxxxxxxxx as xx antagonist xx Beethoven's xxxx particularly xx the xxxxxxx battle xxxx Karl xxx complexity xx their xxxxxxxxxxxx and xxx final xxxxxxxxxx of xxx significance xx Beethoven's xxxx add xxxxx to xxx narrative xxxx scenario xxx not xxxxxxxxxxx making xxx twist xxxx unexpected xxx impactful xxxxxxxxx the xxxxxxxxx resonance xx the xxxxx s xxxxxxxxxx

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